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- blue habit
Source Date From:
- 1444
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- 1444
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- Catalogue of Illuminated Manuscripts

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British Library Catalogue of Illuminated Manuscripts

519 results from this resource . Displaying 21 to 40

Musical notation., Music and carols for Holy Week (begins and ends imperfectly)

initials in red and blue with foliate pen-flourishing in blue and red, with scrolls in the bowl or in the margins (ff. 15, 20). Large and smaller initials in red with green foliate pen-flourishing or in blue with red foliate

Decorated puzzle initial 'P'(assio) in a three-part setting of the title and crowd parts of the Luke Passion., Music and carols for Holy Week (begins and ends imperfectly)

Decorated initial 'A'(nno) with pen-flourishing including ivy leaves., Chronica pontificum et imperatorum

Large puzzle initials in red and blue with pen-flourishing in the same colours including ivy leaves (ff. 1, 8v, 29v). Numerous smaller initials in blue with red pen-flourishing. Paraphs in alternating red or blue. Capitals marked in red ink. Chronica

Puzzle initial 'I'(n) with pen-flourishing at the beginning of the text., Dialogus

seems to be missing a leaf. Puzzle initial in red and blue with pen-flourishing in both colours (f. 3). Coloured initials in red or blue. Paraphs in red or blue. A few descenders and catchwords decorated with brown ink including

Decorated initial 'W'(han) with pen-flourishing., The Consolation of Philosophy (index De consolatione philosophiae), in English verse with the Latin text in the margin (ending imperfectly) and other texts (see notes)

initial in red and blue with red pen-flourishing (f. 4). 4 large initials in blue with red pen-flourishing at the beginning of each book (ff. 17, 33, 59, 74v). Small coloured initials in red or blue throughout. The Consolation of

Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration

Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

Historiated initial 'N' of Dante and Virgil in a dark wood, with four half-length figures representing Justice, Power, Peace and Temperance., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to