• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Miniature of Pentecost, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Cross., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of Virgin and Child with angels playing music, decorated initial 'D'(oulce), and full foliate borders, at the beginning of the prayer Doulce dame., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of Christ carrying the cross and donors with Anthony, decorated initial 'A'(pprehendit) and foliate borders including heraldic arms, at the beginning of the Passion of Christ according to John., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Miniature of the Adoration of the Magi, decorated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Historiated initial 'O' with Christ in the garden of Gethsemane and foliate borders including heraldic arms., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Historiated initial with the Kiss of Judas., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Miniature depicting the Pentecost. Decorated initials in gold and colours, and full foliate border., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Decorated initial 'P'(ost) with foliate decoration including acanthus leaves combined with a three-sided border at the beginning of the prologue., Polychronicon to c. 1400 (imperfect)

117, 143v, 163v) or large puzzle initial in red and blue with pen-flourishing in red and purple (f. 94v) at the beginning of each book. Numerous smaller initials in blue with red pen-flourishing including foliate decoration and flowers. Polychronicon to

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms in the lower margin (f. 1). 3 large gold initials on coloured panels with simple foliate

• Decorated initial 'V'(ideo) with pen-flourishing in Cicero's In catilinam., Disputationes tusculanae (ff. 1-67v), Orationes in Catilinam (ff. 67v-85v)

and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1, 3v, 17v, 39v, 51, 67v, 72v, 77, 81v). Coloured initials in red or blue. Capitals marked in red. Disputationes tusculanae (ff. 1-67v),

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

outer bifolio in each quire is made of parchment. Very large initials with reserved designs in blue or red with penwork decoration in the other colour, or in red with brown penwork (ff. 1v (x2), 14v (x2), 28 (x2), 41,

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

A very large puzzle initial in red and blue with pen-flourishing in the same colours at the beginning of each subsequent book (ff. 9v, 20v, 35, 47). Numerous smaller initials in blue with red pen-flourishing or in red with brown

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

on a blue panel at the beginning of each book (ff. 2, 17, 34v (initial enclosing a smaller initial)). White vine marginal decoration enclosing a defaced coat of arms (f. 2). Coloured initials in alternating red or blue. Amores Probably

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Pen-flourished initials 'C'(orduba); 'B'(ella); and 'Q'(uis)., Pharsalia

in a Northern style. 1 large initial in blue with red and purple penwork decoration (f. 1). 1 large initial in red with purple penwork decoration (f. 118v). 4 initials in blue with purple penwork decoration or pen-flourishing (ff. 12,