• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Detail of decorated initial., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii Metamorphoseon fabularum narratio, and other mythological texts ‘Mithologeiarum liber feliciter finit anno

• Detail of heraldry., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii Metamorphoseon fabularum narratio, and other mythological texts ‘Mithologeiarum liber feliciter finit anno

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

outer bifolio in each quire is made of parchment. Very large initials with reserved designs in blue or red with penwork decoration in the other colour, or in red with brown penwork (ff. 1v (x2), 14v (x2), 28 (x2), 41,

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

A very large puzzle initial in red and blue with pen-flourishing in the same colours at the beginning of each subsequent book (ff. 9v, 20v, 35, 47). Numerous smaller initials in blue with red pen-flourishing or in red with brown

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

on a blue panel at the beginning of each book (ff. 2, 17, 34v (initial enclosing a smaller initial)). White vine marginal decoration enclosing a defaced coat of arms (f. 2). Coloured initials in alternating red or blue. Amores Probably

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Illuminated initial 'S'(i)., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)(ff. 1-79); Orationes in Catilinam (ff. 80-97)

outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue. Orationes in C. Verrem (index Orationes

• Decorated initial 'D'(eus) with acanthus leaves at the beginning of Terce of the Virgin., Book of Hours, Use of Sarum

ivy sprigs. Numerous gold initials with black or brown penwork decoration and blue initials with red penwork decoration. Cadels. Some capitals marked with red. Line-fillers in gold and blue ink. Book of Hours, Use of Sarum Various inscriptions in different

• White vine initial 'Q'(uintus) and partial border at the beginning of Cicero's De amicitia., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• White vine initial 'A'(nimadverti) at the beginning of Cicero's Paradoxa., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Illuminated white vine initial 'O' at the beginning of Cicero's De senectute., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311