• Detail of a miniature of the Expulsion., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniatures of Noah's ark in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of text at the beginning of Book XVI., Epitome historiarum Pompeii Trogi

wreath encircling erased heraldry (f. 1). Initials in blue with red penwork decoration and pen-flourishing (or red with blue penwork) mark the beginning of each book. Rubrics in red. Paraphs in blue or red ink. Epitome historiarum Pompeii Trogi Inscribed

• Historiated initial with the dove of the Holy Spirit., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Historiated initial with an angel., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• null, Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'O' of Christ rising from the tomb., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of Christ in glory, displaying his wounds., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of clerics and mourners surrounding a black-draped coffin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'B' of a soul being lifted from the grave by two angels., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours