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Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
80). 5 large initials in red, blue or green, with a reserved line or penwork decoration in violet, blue, green and/or red (ff. 3, 4v, 33, 83, 91). Numerous small initials in green or blue, one in red (f. 3).
Catchwords decorated with scrolls; quire marks, pricking and ruling visible throughout. Decorated initial 'O' in blue with a full border of pink, green, and blue acanthus leaves with gold and foliate spray; John de Vere's shield partially covers the top
Catchwords decorated with scrolls; quire marks, pricking and ruling visible throughout. Decorated initial 'O' in blue with a full border of pink, green, and blue acanthus leaves with gold and foliate spray; John de Vere's shield partially covers the top
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
and blue with red pen flourishing (f. 91v). Initials in blue or purple with red pen-flourishing (purple flourishing on f. 14v) or red with purple pen-flourishing. Initials in colours and gold. Small blue or red initials. Line-fillers in blue and/or
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late
the pen-flourishing also shows Italian influence. Large initial in blue with reserved lines with red pen-flourishing, enclosing a blank coat of arms (f. 2). Large puzzle initials in red and blue (ff. 10, 23, 30v, 41, 61, 71, 80v, 83,
red or blue with pen-flourishing in the other colour extending into the margins (ff. 25, 37, 48, 59v, 61, 81); puzzle initial on f. 59v). Smaller initials in red with purple, blue, brown or red pen-flourishing, or in blue with
f. 83), which may be part of the same watermark. Puzzle initial in red and blue with blue penwork decoration (f. 1). Coloured initials in blue or red. Some cadels. Some ascenders decorated with ink drawings in red and brown
1 very large initial in red, blue and green with blue penwork extensions (f. 2). 1 large initial in red with floral motifs in green and yellow (f. 5). Plain initials in red or blue, some with penwork decoration (e.g.,
the Life of Saint Brendan.ff. 123-272v: added inscriptions in a later hand 1 large initial in red and blue with red and blue penwork decoration at the beginning of the Life of Saint Brendan (f. 103v). 1 large initial in
Seneca's Controversiarum excerpta. Puzzle, pen-flourished and calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal
Seneca's Controversiarum excerpta. Puzzle, pen-flourished and calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal
calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.
calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.