• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Foliate initial and border., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated line-fillers., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Miniature of Cicero debating the nature of friendship and border with mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Illuminated initial 'P'(hilopolus)., Poems (index Poemata); Laphra (a comedy)

initial in gold on a pink and green ground, 'P'(hilopolus) (f. 36v). Initials alternating in red or blue. Rubrics and protagonists names in red. Poems (index Poemata); Laphra (a comedy) Written by the author, Giovanni Mario Filelfo (b. 1426, d.

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Two coloured initials 'S'(ervo) and 'T'(am) at the beginning of Hugh of Saint-Victor's 'De laude caritatis'., Meditationes vitae Christi (ff. 2-156); De laude caritatis (ff. 156v-160v)

crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of