• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Miniature of the Evangelists with their attributes, John with the eagle, Matthew with the angel, Mark with the lion, and Luke with the ox, decorated initial 'I'(n) and foliate borders including hybrid figures, at the beginning of the Gospel extracts., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Miniature of David penitent, decorated initial 'D'(omine) and foliate borders including medallions with Bathsheba and the Last Judgement, at the beginning of the Penitential Psalms., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• Miniature of Apollonia being tortured by having her teeth pulled out by two men., Book of Hours, Use of Lisieux

(2 lines) with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Lisieux Nicholas Joseph Foucault (b. 1643, d. 1721),

• White vine border with a portrait of Horace in a roundel, two putti, an unidentified coat of arms, and a large white vine initial 'M'(ecenas)., Opera

beginning of each book (ff. 15, 24, 40, 49, 60v, 76, 92v, 107v, 115). Numerous initials in alternating red and blue. Rubrics in red. Opera Written in Ferrara in 1461: inscribed: 'Quinti Horatii Flacci, Venusini, Odarum, Sermonum, Epistolarum, Poetrieque carminum

• Miniature of the Crucifixion at the beginning of the Hours of the Cross., Book of Hours, Use of Troyes, imperfect

72v, 77). Large initials in gold and colours, some defaced (ff. 56v, 61, 77). Initials and line-fillers in red or blue. Capitals marked with yellow. Book of Hours, Use of Troyes, imperfect Certain saints in the calendar and in the

• White vine initial 'E'(t si) with the head of a ?bird, wreath enclosing unidentified arms in the lower margin at the beginning of the Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St Bernardino (f. 93v)

wreath enclosing an unidentified coat of arms in the lower margin (f. 1). Smaller coloured initials in alternating red and blue. Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St

• Illuminated initial 'P'(hilopolus)., Poems (index Poemata); Laphra (a comedy)

initial in gold on a pink and green ground, 'P'(hilopolus) (f. 36v). Initials alternating in red or blue. Rubrics and protagonists names in red. Poems (index Poemata); Laphra (a comedy) Written by the author, Giovanni Mario Filelfo (b. 1426, d.

• Title, encircled by a wreath and held by two putti., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• White vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Decorated initial 'R'(es) at the beginning of William of Malmesbury's Gesta regum Anglorum., Gesta regum Anglorum, imperfect

Gesta regum Anglorum. 1 large red initial with green, red, blue, and brown foliate decoration (f. 1). 6 large initials in red (often oxidised) or green, mostly simple, but some with decoration in the other colour or also with yellow

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

73, 87, 102, 114, 128, 139, 146, 167v, 192, 193, 218v (x2), 241v, 258v). Small initials in plain red or blue. De re rustica Spaces for arms left blank (ff. 1v, 2).Perhaps a direct copy of Biblioteca Apostolica Vaticana, Urb.

• Illuminated initial 'P'(hobe) with white vine stem decoration at the beginning of De medicina., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings