• Detail of miniature of the Crucifixion., Life of Christ (books 6-10)

foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master

• Detail of miniature of the Resurrection., Life of Christ (books 6-10)

foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master

• Detail of border with heraldry., Life of Christ (books 6-10)

foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master

• Detail of border with a hybrid creature holding a standard., Life of Christ (books 6-10)

foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master

• Full white vine border, inhabited by putti, with various vignettes, a large historiated initial with a male bust (possibly Juvenal), and, in the lower margin, the coat of arms of the Capilupi family of Mantua., Satires (index Saturae, Satirae)

48v, 52, 60, 64v, 67v, 73, 80, 84, 86 (x 2), 89, 91, 93v, 94v, 99v). Epigraphic capitals in red, blue, and green (ff. 1, 86). Satires (index Saturae, Satirae) The Capilupi family of Mantua: its arms of a wolf's

• Three-sided white vine border inhabited by two parakeets, and a hawk attacking a caterpillar, with a large white vine initial 'D'(ecimus) and the coat of arms Pedro Ferriz, bishop of Tarragona, supported by two putti., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• White vine initial 'S'(i) cui varias humanarum rerum' at the beginning of the twelfth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• Detail of a white vine initial 'S'(i) cui varias humanarum rerum' at the beginning of the twelfth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• Detail of white vine initial 'S(i) quidem in explicanda historia nil usque nobis' at the beginning of the thirteenth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• White vine initial 'M'(undum)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• White vine initial 'F'(requenter)., Letters and other texts

(ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence in 1467: colophon reads, 'Scripsit florentie hoc

• Two coloured initials 'S'(ervo) and 'T'(am) at the beginning of Hugh of Saint-Victor's 'De laude caritatis'., Meditationes vitae Christi (ff. 2-156); De laude caritatis (ff. 156v-160v)

crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with

• White vine initial 'O'(mnis) at the beginning of Sallust's Catilina., Various works including Catilina (ff. 1-34v), Jugurtha (ff. 35v-100), Letter 3 from Book 15 of Petrarch's Epistulae rerum senilium (ff. 104-113), Letter to Petrarch attributed to Leonardus Brunus Aretinus

in Rome or Naples. 2 large white vine initials in gold and colours (ff. 1, 35v). 2 smaller initials in blue ink (ff. 2v, 37v). Display script. Spaces for initials left blank. A few small initials in red ink. Various

• Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi', Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of