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blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of
2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of
2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of
2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of
for curtains over large decorated initials. Large puzzle initials in red and blue, or red and green, or blue and green, with penwork decoration in red, and/or blue, and/or green; or in green, with reserved designs, and red penwork decoration
for curtains over large decorated initials. Large puzzle initials in red and blue, or red and green, or blue and green, with penwork decoration in red, and/or blue, and/or green; or in green, with reserved designs, and red penwork decoration
a blue panel. Numerous smaller initials in gold on a blue or red panel. Crosses in gold on a blue or red panel to indicate where the sign of the cross should be made. Line-fillers in gold on blue or
Upper cover needs repair. 1 large initial in blue and brown at the beginning of the Rime (f. 31). 2 smaller initials in blue and brown (ff. 128v, 167). 11 initials in blue with red penwork decoration (ff. 3, 6,
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
Canterbury Tales. Large and small initials in blue with red (foliate) pen-flourishing. Canterbury Tales Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly
Musical notation. Large initials in blue with red penwork decoration. Large initial in brown with penwork decoration (f. 22v). Musical notation on four-line red staves. fragments from a Missal Drawings of urine flasks (ff. 43-45).Sir Hans Sloane (b. 1660, d.
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or