• Initial 'Q'(uia) at the beginning of the preface to the 'Musica Manualis'., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Diagram of a hand with tones, in the prologue of Musica manualis., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Detail of decorated initial., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Decorated initial 'T'(his) at the beginning of a treatise in Middle English by Leonel Power on discant, which begins: 'This treatise is contrived upon the Gamme for them that will be singers or makers or teachers. For the first thing of all they must know how many chords of discant there be . . .' (spelling modernised)., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• On what was originally the final folio of the manuscript the signature 'Thomas tallys' above the same name in large capital letters., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• On the flyleaf immediately preceding the start of the text is this inscription that the manuscript was written by Johannes Wylde, former precentor of Holy Cross, Waltham, followed by an anathema. Below this the same inscription was later copied out in black ink., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Decorated initial 'Q' at the beging of a text that is attributed in the rubric to the monk Guido (Guy)., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Diagram illustrating the principle that a monochord (a single-stringed instrument) produces notes which are related in tone to the length of the chord., Musical miscellany, including the Musica manualis cum tonale; Thomas Walsingham's treatise on mensural music (ff. 97v–104v)

initials in red with lighter red and/or blue or brown foliate penwork decoration, or in blue with red penwork foliate decoration, usually extending into the margins. Small simple initials in red or blue or black, some with a yellow wash.

• Miniature of the sortie from Nantes, with a full border containing the royal arms on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', in the lower margin, and on a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the external margin, at the beginning of chapter 1 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of the death of Gedaliah; with a full border with a female centaur holding a banner inscribed with the Yorkist motto, 'Dieu et mon droit', and a shield with the white ~rose en soleil~, and a shield bearing the royal arms of England, surmounted by a crowned helm with mantling in Edward's colours of red and blue., La Bible Historiale, part 4 (Bible Historiale of Edward IV)

illuminators in the lower margins (e.g., ff. 319, 380). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. La Bible Historiale, part 4 (Bible Historiale of

• Miniature of Belshazzar's feast with a hand writing the words 'mane thechel phares' on the wall, with a full border containing a hybrid grotesque holding a banner with the royal arms of England, and a shield bearing the royal arms of England, surmonted by a crowned helm with mantling in Edward's colours of red and blue., La Bible Historiale, part 4 (Bible Historiale of Edward IV)

illuminators in the lower margins (e.g., ff. 319, 380). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. La Bible Historiale, part 4 (Bible Historiale of

• Miniature of the blinding of Tobit, laying in bed in his house; outside, Tobias leading the angel Raphael into the house; with a full border with birds, a wildman holding a banner bearing the royal arms of England, a centaur, with a banner inscribed with the Yorkist motto, 'Dieu et mon droit', and a shield bearing the royal arms of England, surmounted by a crowned helm with mantling in Edward's colours of red and blue, and surrounded by the Garter with inscription 'Honny soit qui mal y pense'., La Bible Historiale, part 4 (Bible Historiale of Edward IV)

illuminators in the lower margins (e.g., ff. 319, 380). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose and blue with penwork decoration in white. La Bible Historiale, part 4 (Bible Historiale of

• null, Divina Commedia (index Divine Comedy)

decorated foliate initials, accompanied by a partial foliate borders, in colours and gold (ff. 90, 180). Smaller initials in plain blue. Divina Commedia (index Divine Comedy) A member of the Nerli family: heraldic arms (f. 1).Anthony Askew (bap. 1722, d.

• Detail of a face in the border., Divina Commedia (index Divine Comedy)

decorated foliate initials, accompanied by a partial foliate borders, in colours and gold (ff. 90, 180). Smaller initials in plain blue. Divina Commedia (index Divine Comedy) A member of the Nerli family: heraldic arms (f. 1).Anthony Askew (bap. 1722, d.

• Detail of the Nerli arms., Divina Commedia (index Divine Comedy)

decorated foliate initials, accompanied by a partial foliate borders, in colours and gold (ff. 90, 180). Smaller initials in plain blue. Divina Commedia (index Divine Comedy) A member of the Nerli family: heraldic arms (f. 1).Anthony Askew (bap. 1722, d.

• null, Divina Commedia (index Divine Comedy)

decorated foliate initials, accompanied by a partial foliate borders, in colours and gold (ff. 90, 180). Smaller initials in plain blue. Divina Commedia (index Divine Comedy) A member of the Nerli family: heraldic arms (f. 1).Anthony Askew (bap. 1722, d.

• Decorated initial 'P'(rincipia), and plain red initial 'P'(aulus); the upper margin with an ownership inscription of Sir John Prise., Commentaria in Epistolas beati Pauli

ownership inscription of Sir John Prise. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas

• Coloured initial 'P'(aulus) and other plain red and green initials., Commentaria in Epistolas beati Pauli

green initials. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom

• Illuminated interlace initial 'E'(go), at the beginning of Cicero's Epistolae ad familiares, Book 1, Epistolae ad familiares

in colours and gold, at the beginning of the remaining books (ff. 24, 36, 46v, etc.). Small initials alternately plain blue or red. Epistolae ad familiares Unidentified Veronese owner, 16th century: inscribed in Veronese dialect, 'Questo libro sie de mi

• Illuminated white vine initial 'V'(ide) with white vine decoration, at the beginning of Book 16 of Cicero's Epistolae ad familiares., Epistolae ad familiares

in colours and gold, at the beginning of the remaining books (ff. 24, 36, 46v, etc.). Small initials alternately plain blue or red. Epistolae ad familiares Unidentified Veronese owner, 16th century: inscribed in Veronese dialect, 'Questo libro sie de mi