contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark
contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark
and gold, some large, some small. Smaller gold initials on coloured grounds. Running headers in blue and gold. Rubrics in red. Headings in gold or blue. Sermons (index Homiliae) Ferdinand I of Aragon, king of Naples (b. 1424, d. 1494):
initials in gold and colours (ff. 1, 17, 36, 45, 52, 54). Smaller initials in gold on green, blue, or red and blue grounds (ff. 6v, 36v, 39, 39v, 43, 44v). Epistolae and various dialogues Unidentified arms of a chequy
initials in gold and colours (ff. 1, 17, 36, 45, 52, 54). Smaller initials in gold on green, blue, or red and blue grounds (ff. 6v, 36v, 39, 39v, 43, 44v). Epistolae and various dialogues Unidentified arms of a chequy
in colours (f. 244), at the beginning of other books. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 2 (Bible
in colours (f. 244), at the beginning of other books. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 2 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible
and gold (f. 2v). Large initials in gold on red, blue and green grounds, with foliate extensions into the margins. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Diagrams. Theoriae Musicae Tractatus, with table of
Meung's Sept articles de la foi. The leaves are misbound and the 1843 catalogue describes a blue morocco binding, which suggests that the binding pre-dates the volume's arrival at the British Museum; it may therefore date from shortly before the
colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,