• Detail of an architectural border with putti and the arms of Bembo, at the beginning of Jerome's prologue to the Chronicle of Eusebius., Chronici canones

17v-150). Faceted initials in gold and colours with rubrics in a two, three, four, or five-colour alternating sequence of gold, blue, green, red and purple (ff. 4, 6, 8, 9v). Chronici canones Bernardo Bembo (b. 1433, d. 1519), humanist, governor

• Detail of an architectural border with putti, at the beginning of Jerome's prologue to the Chronicle of Eusebius., Chronici canones

17v-150). Faceted initials in gold and colours with rubrics in a two, three, four, or five-colour alternating sequence of gold, blue, green, red and purple (ff. 4, 6, 8, 9v). Chronici canones Bernardo Bembo (b. 1433, d. 1519), humanist, governor

• Detail of a miniature of the Nativity., Chronici canones

17v-150). Faceted initials in gold and colours with rubrics in a two, three, four, or five-colour alternating sequence of gold, blue, green, red and purple (ff. 4, 6, 8, 9v). Chronici canones Bernardo Bembo (b. 1433, d. 1519), humanist, governor

• Miniature of André Serre, of Dijon praying to his patron, Andrew; decorated initial 'C'(um) and foliate borders including his coat of arms, at the beginning of the suffrage to Andrew., Book of Hours, Use of Rome

including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of

• Miniature of the Annunciation, decorated initial 'D'(omine) and historiated frame with the scenes from the Life of the Virgin and her marriage in the lower margin, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of

• Miniature of the Annunciation, at the beginning of the Hours of the Virgin at Matins., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of David watching Bathsheba bathing in a pool ornamented with two statuettes: Amor shooting an arrow at the bosom of Bathseba, and Abundance holding a torch and a cornucopia, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature depicting the Adoration of the Magi; at the beginning of the Hours of the Virgin at Sext., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature including angels., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of the Annuncation., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of Bathsheba bathing in a pool., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of the painter Zeuxis painting nude models from nature., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Raison (Reason) advising the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Virginius beheading his daughter Virginia., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of l'Ami (the Friend) and the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Beaute (Beauty) and Laideur (Ugliness) fighting Chastete (Chastity)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Delilah cutting Samson's hair., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of the Lover meeting Richesse (Wealth)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in