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with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'. Italian cuttings.The present cuttings are bound in an album with other cuttings and leaves
idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:
story of a monk that brought one plank down to house in a church at the foot of the mountain. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle,
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
of a queen entering a church, with an angel following behind. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the
of two ladies outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London