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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

346 results from this resource . Displaying 61 to 80

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

of Rochester, politician, and Jacobite conspirator: his inscription (f. 1*); presented by him to Robert Harley when dean of Christh Church, Oxford, i.e. sometime between September 1711 and July 1713, as recorded by Harley's librarian, Humfrey Wanley in his catalogue

robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of

Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV. Pope-Hennessy

Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and

on the right, hovering over the Twelve Doctors of the Church (Paradiso XII). Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

visible behind the bars of the window, and 'N'(isi) of a church building. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of

initial 'N'(isi) of a church building. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 5 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=church&sdf=1412&sdt=1456&st=60