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Kellie: inscribed, early 17th century 'David Kellie' (ff. 2, 16, 49v).George Hickes (b. 1642, d. 1715), bishop of the nonjuring Church of England and antiquary: inscribed, 'Given by Mr. Hickes' (f. 1*). The Harley Collection, formed by Robert Harley (b.
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
quire marks decorated with brown pen-flourishing. Historia ecclesiastica; Vita s. Guillelmi Gellonensis (index Guillaume of Aquitaine) (ff. 181-191v) The cathedral church of St-Nazaire, Carcassonne (Aude, France), 14th century: inscribed 'Iste liber est eccl[es]ie sedis s[an]c[t]I Nazarii Carcassone' (f. 1).The Harley
Annunciata Varisii (ff. 1, 203v; see Watson 1973).With marginal notes in a 15th-century cursive hand.Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at
17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John
17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
portions of an index of contents of a work probably on canon law William Darell (d. in or after 1580), Church of England clergyman and antiquary: inscribed 'William Darell (f. 196v); see also Peter Sherlock, ‘Darell, William (d. in or
sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours