• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Illuminated initial 'H'(istoria) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Detail of an illuminated initial 'H'(istoria) with interlace motifs and a smaller initial with penwork decoration., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Partial border with a large initial 'C'(um) with a series of faces in profile and thirteen smaller initials with penwork decoration., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Detail of illuminated initials 'Q'(uatuor) and 'B'(ello) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Illuminated initials 'Q'(uatuor) and 'B'(ello) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

(but effaced) 'Iste liber est ad usum fratrum...comorantium in loco Sancti Salvatoris in monte Sancti Miniato prope Florentiam (f. [i]).The church of San Salvatore d'Ognissante, Florence, offset of an effaced 18th-century ownership inscription: 'Della libreria d'Ognissanti' (f. [i verso]).The Harley

• Pen-flourished initial 'I'(n dei nomine amen)., The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church, London

Paul's Church, London. 5 large initials in blue with red pen-flourishing (ff. 1, 2, 9, 10v, 11v). Marginal notations and rubrics in red. Paraphs in red or blue. The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church,