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Annunciata Varisii (ff. 1, 203v; see Watson 1973).With marginal notes in a 15th-century cursive hand.Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at
17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John
17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John
red. Psalter, including Odes (ff. 245-265v) and the fragment of a Euchologion (ff. 266-282) Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at
blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours
colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours