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scene of reaping and a rural scene with a church (?), a roundel of Leo, and an upper scatter border of flowers and birds. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs
Marginal image of king Lucius in a baptismal font, with a caption reading 'Rex luci[us] p[ri]mu[s] in Anglia', next to a fragment referring to the origins of the christianity in England during the reign of Lucius, with a marginal
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
refers to parts 1 (Isidore, Etymologiae) and 2 (Nequam, Corrogationes Promethei, which begins with the words ~Ferrum situ~). The cathedral church of Holy Trinity, Chichester: inscription with the library's pressmark 'I. vi' (f. 2* and on f. 1, where it
floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting
floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting
Gregory, the Five Joys of the Virgin, the Seven verses of Bernard, the Ten Commandments and Five Commandments of the Church in French, the Hours of the Conception (ff. 151-154), the Hours of Barbara (ff. 154-156), a prayer in French