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a white horse and his armoured followers, with John above in the upper left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
of the angel speaking to John and pointing to the Whore of Babylon, who is sitting on the Beast. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand
a miniature of John and the angel, and the Whore of Babylon sitting on the waters. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v).
of the woman, with John on the left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or
of the angel giving John a flowering reed. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or
the seven thunders on an inverted arc of cloud, with the angel and John below. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The
Diagrams showing men and animals going around the earth and meeting on the other side. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the
Ink diagram of a game entitled 'la fourme de la table rounde'. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v);
Ink diagram of day and night. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the
a miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II
a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v),
of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master
of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master
of John with five souls, two of whom are being given robes by angels. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
a miniature of John with five souls, two of whom are being given robes by angels. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v).
initials in colours and gold, of Gabriel and Zachariah (f. 14), the birth (f. 15) and naming (f. 18) of John the Baptist with two four-line red staves visible through the illumination. 18 historiated initials in colours and gold, of
Historiated initial 'D', instead of 'O'(mnem) of en emperor (or a pope?) with a sword and three men before him, at the beginning of the Constitutio Omnem. Catchwords; lemmas underlined in ink or in yellow. 1 historiated initial in
1406) and his wife Alice Beauchamp (d. 1383), daughter of Thomas, earl of Warwick (d. 1369) and widow of Sir John Beauchamp of Hatch Beauchamp, perhaps belonged to them: the arms of Beauchamp, earl of Warwick (gules a fess between
1406) and his wife Alice Beauchamp (d. 1383), daughter of Thomas, earl of Warwick (d. 1369) and widow of Sir John Beauchamp of Hatch Beauchamp, perhaps belonged to them: the arms of Beauchamp, earl of Warwick (gules a fess between
Text page with large and small initials and rubric. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the