• Detail of a miniature of a disciple standing before his seated master, with partial bar borders., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'O'(i) of a head of a man, with a partial bar border including a grotesque and a dragon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of an historiated initial 'O'(i) of a head of a man, with a partial bar border including a grotesque and a dragon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'L' of the bust of a man, with illuminated initials 'M' and 'P'., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'O' of the bust of a man, with illuminated initials 'M'., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of a miniature of Amos as a shepherd, at the beginning of Amos., La bible historiale complétée, 2nd volume, imperfect

Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles

• Detail of a miniature of the Virgin and Child, at the beginning of Cantiques., La bible historiale complétée, 2nd volume, imperfect

Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles

• Drawing of an author portrait of Aldhelm., De laudibus virginitatis; letter of Aldhelm to Ehfridus

laudibus virginitatis; letter of Aldhelm to Ehfridus Added fragment of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Miniature of God enthroned, with Elders below casting down their crowns, and below, God enthroned, a book with seals, an angel, and John and the Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

and below, God enthroned, a book with seals, an angel, and John and the Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of the rider on a white horse and his armoured followers, with John above in the upper left., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a white horse and his armoured followers, with John above in the upper left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of the angel speaking to John and pointing to the Whore of Babylon, who is sitting on the Beast., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the angel speaking to John and pointing to the Whore of Babylon, who is sitting on the Beast. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand

• Detail of a miniature of John and the angel, and the Whore of Babylon sitting on the waters., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and the angel, and the Whore of Babylon sitting on the waters. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v).

• Detail of a miniature of the woman, with John on the left., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the woman, with John on the left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail of a miniature of the angel giving John a flowering reed., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the angel giving John a flowering reed. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail of a miniature of a lion's mouth, with the six heads of the seven thunders on an inverted arc of cloud, with the angel and John below., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

the seven thunders on an inverted arc of cloud, with the angel and John below. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II

• Detail of a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v),

• Miniature of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master

• Miniature of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master

• Miniature of John with five souls, two of whom are being given robes by angels., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John with five souls, two of whom are being given robes by angels. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution