• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Front cover., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Beginning of the prologue to John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the prologue to John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Beginning of the text of John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the text of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• king John is brought to Winchester for burial, Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

king John is brought to Winchester for burial The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of Stonehenge:

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Miniature of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'., Legenda aurea

of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'. Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally

• Miniature of John the Baptist with a partial border and two foliate initials 'I'(ehan)., Legenda aurea

of John the Baptist with a partial border and two foliate initials 'I'(ehan). Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally for Jeanne de Bourgogne, queen of France

• Illuminated initials and border at the beginning of the Mass for Trinity Sunday (the first Sunday after Pentecost, which itself occurs on the 50th day after Easter)., Missal, use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Puzzle initial 'E'(xemplum) at the beginning of the Gesta Romanorum., Tabula super methodo fulgentii, Gesta Romanorum (index Deeds of the Romans), Liber de vitiis, various sermons

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Illuminated initials and border with foliate decoration., Book of Hours, Use of Sarum, with a calendar (ff. 1-6v), imperfect

clergyman and antiquary: his name (f. 1); sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Coloured initials, 'A', 'P', and 'F', with guide letters for the decorator visible in the left margin., Religious miscellany with treatises, sermons, the Speculum peccatorum (ff. 1-8), the legend of Pachomius (ff. 93v-96v), a description of a miraculous vision of A.D. 1287 (ff. 98v-99), and verses in English (f. 99v)

the British Library. Coloured initials Written by more than one scribe Various authors including Pseudo-Augustine, Anselm of Canterbury, Bernard of Clairvaux, Hugh of Saint-Victor, John Chrysostom, Peter of Blois, John Cassian (index Hugh of St Victor, Hugo de Saint-Victor) England