• Canon table, with a zoomorphic decoration in the 'Trewhiddle Style'., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of the upper half of the canon table, with a zoomorphic decoration in the 'Trewhiddle Style'., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of the upper half of a canon table with a zoomorphic decoration in the 'Trewhiddle Style'., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page with the explicit of Matthew and the incipit of Mark in capitals, reading 'Evangelium /sec. mattheu. / explicit/ incip. evangl. / sec. marcum / feliciter'., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Inscription in gold and silver on a purple background, beginning 'Hic HIS baptiza/tus est ab Iohan/ne', and relating to a lost miniature of the Baptism of Christ., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of a zoomorphic initial 'Z'(acgarias), at the beginning of the list of capitula of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of an initial 'Q'(uoniam) from the incipit page, at the beginning of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of a miniature of an ox, the symbol of Luke, with God the Father above, at the beginning of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Peter and John visiting the sepulchre and removing the sudarium., Book of Hours, Use of Sarum ('The Taymouth Hours')

of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Christ beckoning Peter and John while they are out fishing., Book of Hours, Use of Sarum ('The Taymouth Hours')

Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been

• Bas-de-page scene of the standing figure of John holding a scroll., Book of Hours, Use of Sarum ('The Taymouth Hours')

the standing figure of John holding a scroll. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in