• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Initial with cadel decoration with face, among music staves., Fragment from an Antiphonary

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Text page with the explicit of Guido de Castris's Sanctilogium., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Illuminated initial 'A'(dventus) at the beginning of book 14., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Illuminated initial 'P'(rima) at the beginning of book 11., Sanctilogium

or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in

• Coloured initial with pen-flourished decoration., Fragment with text of Psalm 126:1-6

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Framed initial 'B' with full foliate border and shield lacking arms., De Consolatione Philosophiae (index Consolation of Philosophy)

Sheldonian, '1697', but 1698?), II, no. 6612.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 171.Charles

• Framed initial 'C' with foliate half border., De Consolatione Philosophiae (index Consolation of Philosophy)

Sheldonian, '1697', but 1698?), II, no. 6612.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 171.Charles

• After the last three lines of the poem on the infancy of Christ, the scribe states in red his name, John Archer, a canon of the priory of St. Petroc, Bodwin: 'Quod dominus Johannes architenens canonicus Bodminie et natus in illa. Deo gratias'. The heraldic shield bears a griffin and probably is of Bodmin., The play 'Infantia Salvatoris'

infancy of Christ, the scribe states in red his name, John Archer, a canon of the priory of St. Petroc, Bodwin: 'Quod dominus Johannes architenens canonicus Bodminie et natus in illa. Deo gratias'. The heraldic shield bears a griffin and

• Miniature of John with his Evangelist symbol, the eagle., Book of Hours

of John with his Evangelist symbol, the eagle. 3 diptychs of full-page miniatures with foliate borders, in colours and gold, inserted as a separate quire after the calendar (ff. 18v-21). 37 full-page miniatures in semi-grisaille against coloured backgrounds, with large

• Illuminated initials 'T'(he) and 'A'(prentys) with partial foliate bar borders at the opening of the Cook's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Detail of a scribal (?) note reading 'Icy commencera le fable de Gamelyn' ('Here will begin Gamelyn's tale')., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'O'(hateful) with a partial foliate bar border at the beginning of the prologue to the Man of Law's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'T'(her) with a partial foliate bar border at the beginning of the Clerk's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'A'(t) with a partial foliate bar border at the beginning of the Squire's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'L'(ordyngs) with a partial foliate bar border at the beginning of the Pardoner's Tale. ., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'T'(her) with a partial foliate bar border at the beginning of the Prioress's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Illuminated initial 'A'(pore) with a partial foliate bar border at the beginning of the Nun's Priest's Tale., The Canterbury Tales

Dorothie, née Leuenthorp: inscribed with their names (f. 286v; see Wright 1972).Other inscriptions include 'John Martant', 16th century (ff. 144, 180), and 'John Thomsyn' and 'John Thomsun Symond, late 16th-early 17th century (ff. 165v, 284v).John Somers, 1st baron Somers (b.

• Pen-flourished initial 'T'(he)., Various religious treatises, including a treatise on faith with an explication of the Apostles' Creed, treatises on the Ten Commandments, the Decalogue, the Lord's Prayer, etc.

the Harley Catalogue.The first section appears to be a copy of John Wycliffe's Pauper Rusticus (also known as the Confessio derelicti pauperis or the Pore Caitif)f. 108 is a parchment flyleaf with a Latin inscription in a cursive hand.Horizontal catchwords.

• Illuminated initials and border with foliate decoration., Book of Hours, Use of Sarum, with a calendar (ff. 1-6v), imperfect

clergyman and antiquary: his name (f. 1); sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford