• Detail of a miniature of Marpesia and Lampeto, queens of the Amazons, with armed attendants and a shield bearer., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Pamphila collecting cocoons of silk worms from trees and spinning the silk., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of men digging the grave of Rhea Silvia, with a wolf and twins behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Athaliah ordering the slaughter of the princes of Judah, with her death by stoning behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Theoxena in a ship, fleeing from Philip V of Macedon, and taking poison., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the queen of Orgiagon presenting the head of her ravisher to the king of the Gaulgres., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Aemilia, wife of Scipio Africanus, condoning her husband's affair with a slave., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Seneca and his wife Pompeia Paulina being bled to death., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Faustina, the wife of Marcus Aurelius, with one of her lovers, and a man with an anvil., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jeanne, queen of Jerusalem and Sicily, receiving gifts from her subjects., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the Erithrean Sibyl writing, with a partial border and a foliate initial 'E'(rithire), at the beginning of chapter XXI., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature composed of four compartments of Boccaccio presenting the book to Andrea Acciaiuoli and a group of women., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of John in Patmos, with the seven-horned dragon rising from the sea, and a foliate initial 'L'(ors)., Bible historiale complétée (Proverbs - Revelation)

of John in Patmos, with the seven-horned dragon rising from the sea, and a foliate initial 'L'(ors). Second volume of two; the first volume is Royal 19 D VI.Contains the Bible Historiale complétée, a French adaptation of Peter Comestor's Historia

• Detail of miniature of John writing, with his symbol, the eagle, warding off a winged demon behind him., Book of Hours, Use of Paris

miniature of John writing, with his symbol, the eagle, warding off a winged demon behind him. The miniature on f. 17 includes a shield with the arms of France. 24 calendar roundels, in colours and gold, in the calendar (ff.

• Detail of a map of Scotland., Chronicle of Britian to Henry VI (1st version)

after 1461 (f. 2v).Inscription 'Suis Guilick ? Bahyer 1500' (ff. 4, 5).William Bowyer, owned by him in 1566; used by John Stow (see Title 1997).? Sir Robert Bruce Cotton, (b. 1571, d. 1631), 1st baronet, antiquary and politician: see Kingsford

• Detail of a map of Scotland., Chronicle of Britian to Henry VI (1st version)

after 1461 (f. 2v).Inscription 'Suis Guilick ? Bahyer 1500' (ff. 4, 5).William Bowyer, owned by him in 1566; used by John Stow (see Title 1997).? Sir Robert Bruce Cotton, (b. 1571, d. 1631), 1st baronet, antiquary and politician: see Kingsford

• Miniature of John writing, with his symbol, the eagle, warding off a winged demon behind him, with an illuminated initial 'I'(n) and a full foliate border., Book of Hours, Use of Paris

of John writing, with his symbol, the eagle, warding off a winged demon behind him, with an illuminated initial 'I'(n) and a full foliate border. The miniature on f. 17 includes a shield with the arms of France. 24 calendar

• Detail of text at the beginning of Book XVI., Epitome historiarum Pompeii Trogi

or red ink. Epitome historiarum Pompeii Trogi Inscribed colophon: 'Explicit feliciter. Anno dominj m^o^cccc Lj die vij Septembris' (f. 84). John Gibson (fl. 1720-1726), dealer; sold on 17 June 1721 to Edward Harley (~Diary~ 1966).The Harley Collection, formed by Robert

• Miniature of John the Baptist, and hybrid creature in the margin., Book of Hours, Use of Sarum

of John the Baptist, and hybrid creature in the margin. 9 full-page miniatures, followed by large historiated initials, with full foliate borders including birds and hybrid figures, in colours and gold (ff. 50v, 60v, 76v, 82v, 86v, 90v, 94v, 98v,