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Sheldonian, '1697', but 1698?), II, no. 6542.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 136.Charles
Sheldonian, '1697', but 1698?), II, no. 6542.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 136.Charles
owned at least ff. 63-66 in 1565, inscribed 'Sn Guiliel Bowyer. 1565' (f. 63).Inscribed 'An Olde Calender belonginge to me John Prim[...?] ?servaunt to M. George h[...] chamberlaine of the cittie of London. 1568' (f. 128): owned probably only ff.
owned at least ff. 63-66 in 1565, inscribed 'Sn Guiliel Bowyer. 1565' (f. 63).Inscribed 'An Olde Calender belonginge to me John Prim[...?] ?servaunt to M. George h[...] chamberlaine of the cittie of London. 1568' (f. 128): owned probably only ff.
owned at least ff. 63-66 in 1565, inscribed 'Sn Guiliel Bowyer. 1565' (f. 63).Inscribed 'An Olde Calender belonginge to me John Prim[...?] ?servaunt to M. George h[...] chamberlaine of the cittie of London. 1568' (f. 128): owned probably only ff.
owned at least ff. 63-66 in 1565, inscribed 'Sn Guiliel Bowyer. 1565' (f. 63).Inscribed 'An Olde Calender belonginge to me John Prim[...?] ?servaunt to M. George h[...] chamberlaine of the cittie of London. 1568' (f. 128): owned probably only ff.
nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Drawing of surgical instrument John Bradmore England
Historiated initial 'C'(um) in colours and gold and the beginning of the book of Aristotle. f. 1 is a parchment flyleaf.Horizontal catchwords; ruled in hardpoint.Iñigo Dávalos also owned Add. 15246, which has his arms on ff. 28v, 29 (Wright,
Historiated initial 'I'(gitur) in colours and gold and the beginning of the book of Aristotle. f. 1 is a parchment flyleaf.Horizontal catchwords; ruled in hardpoint.Iñigo Dávalos also owned Add. 15246, which has his arms on ff. 28v, 29 (Wright,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,