1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).
devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).
devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).
gold. Small initials (1-line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur) This manuscript (summer portion)
Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration
Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
Initial 'Q'(uintus) with decoration in foliate and dot patterns at the beginning of book 4. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v, 97v). Rubrics in
Initial 'P'(rolixitas) at the beginning of book 6, and initial 'H'(oc) with decoration in foliate and dot patterns. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v,
the beginning of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor
page in John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor of
of John the Evangelist writing on a scroll on the island of Patmos, with his symbol, the eagle, nearby; behind him a demon peeks around a rock and upsets John's inkwell, with full foliate borders, at the beginning of the
of John the Evangelist, holding a martyr's palm and a chalice in which a spider spins, with a full foliate border, at the beginning of his suffrage. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to
John the Evangelist and the instruments of the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to