Your search found 1698 results in 1 resource
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Initial with penwork decoration. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It can also be found
Text page. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de la Mare 1984, p. 272).The scribe who copied this manuscript is known as the 'Omnium rerum'