• Detail of a miniature of Charles the Bold receiving the book from the translator, Vasco de Lucena, at the beginning of the prologue., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a miniature of Alexander and his army crossing a frozen river., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Miniature of Alexander and his army crossing a frozen river., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Miniature of the death of Alexander king of Epirus during a battle, and a foliate initial 'A'(lexandre), with a full border, including grotesque hybrids, at the beginning of book 5., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a miniature of the death of Alexander king of Epirus during a battle, at the beginning of book 5., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a female grotesque, from the margins of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a male figure standing next to a stork, from the margins of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Miniature of the death of Meleager., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a miniature of the death of Meleager., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Miniature of royal arms, with inscriptions., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Detail of a miniature of royal arms., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England surrounded by the Garter, and surmounted by a crowned helm with a mantling in Edward's colours of red and blue, and a lion crest with fleur-de-lis, supported by two lions; and an illuminated initial 'A'( la requeste)., Chroniques

Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.

• Detail of a coat of arms with a mermaid holding a mirror., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.