• Detail of an illuminated foliate headpiece, with birds and flowers around it., Liturgy of John Chrysostom, with marginal annotations, and three troparia to him

many of or with foliate forms, some with other colours. Small red or brown initials. Knotted decorative forms. Liturgy of John Chrysostom, with marginal annotations, and three troparia to him Written mainly by Sebastianos Argyropoulos, the Metropolites of Ephesus, in

• Miniature of David in Prayer, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Single column miniature of Daniel being placed into the lion's den., Chronique of Baudouin d'Avennes (L'histoire tripartite, Le trésor de sapience)

Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for

• Detail of a single column miniature of Daniel being placed into the lion's den., Chronique of Baudouin d'Avennes (L'histoire tripartite, Le trésor de sapience)

Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for

• Miniature of Richard II resigning his crown., Chroniques

Miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are attributed to the

• Detail of a miniature of Richard II resigning his crown., Chroniques

Detail of a miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are

• Miniature of a Charles VI on horseback entering a walled city., Chroniques

Miniature of a Charles VI on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures

• Miniature of two knights (Peter Courtenay and De Clary) on horseback jousting., Chroniques

Miniature of two knights (Peter Courtenay and De Clary) on horseback jousting. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two

• Detail of a miniature of a king on horseback entering a walled city., Chroniques

Detail of a miniature of a king on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003,

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

lot 88; bought by Russell for £1 8s, according to an annotated Western Manuscripts departmental copy of the sale catalogue.Reverend John Fuller Russell (b. 1813, d. 1884), ecclesiastical historian: lent by him to the Burlington Fine Arts Club exhibition of

• Full-page border, from a detached leaf with the text removed, decorated with arabesques and seated figures of a pope, a cardinal, and two bishops, shrouded female figures, urns and floral motifs, framing miniatures of angels adoring the Host and the Last Supper., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

Full-page border, from a detached leaf with the text removed, decorated with arabesques and seated figures of a pope, a cardinal, and two bishops, shrouded female figures, urns and floral motifs, framing miniatures of angels adoring the Host and

• 5 border pieces decorated with flowers, birds and insects., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

5 border pieces decorated with flowers, birds and insects. Italian cuttings.The present cuttings are kept in two boxes with Add. 35254H-I, L, M and O (there is no. f. J) and Add. 35254Q-V. To see these cuttings in the

• Full-page border from a detached leaf with the text excised, decorated with four 'female' masks and figures of the four Evangelists in cartouches., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

Full-page border from a detached leaf with the text excised, decorated with four 'female' masks and figures of the four Evangelists in cartouches. Italian cuttings.The present cuttings are kept in two boxes with Add. 35254H-I, L, M and O

• Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study., Opera

Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study. This is the first of two volumes; the second volume is Harley

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England surrounded by the Garter, and surmounted by a crowned helm with a mantling in Edward's colours of red and blue, and a lion crest with fleur-de-lis, supported by two lions; and an illuminated initial 'A'( la requeste)., Chroniques

Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.