• Detail of a miniature of John being raised by an angel, with the head of God above., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of John kneeling before Christ., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to

• Detail of a miniature of John, the lamb on the mount, and worshippers., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen

• Detail of a miniature of John, a flying angel, and kneeling figures., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

• Detail of a miniature of God giving John a measuring rod, with the Temple on the right., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

miniature of God giving John a measuring rod, with the Temple on the right. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of John and a crowned Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and a crowned Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Ink drawing of head of a knight in profile., Chronicle of England in French verse to 1307 (ff. 1-129)

Edward I's rights in Scotland (ff.129-37);The Prophecies of Merlin (ff. 137v-139);The letter of Prester John (ff.140v-145);Extracts from the Legenda Aurea of Jacobus de Voragine (ff. 145v-147). Rubrics in red. Initials in red and brown, some decorated with ink drawings of

• Historiated initial 'P'(ost hec)., De moribus (second part of De virtutibus et vitiis)

Philosophical Institution, founded shortly before his death. The New Philosophical Institution, Beaumont Square, Mile End: stamps (ff. 1, 174v). Sir John Trelawny: his sale, 28 June 1921, lot 162; bought by Edwards for £38. Henry Yates Thompson (b. 1838, d.

• Coloured initials in blue with pen-flourished decoration in red and blue., Leaf from an Antiphonary containing the chants for the office of St Cecilia.

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. 190 printed book fragments from the volume were transferred to the

• Detail of a miniature of a phoenix biting a branch., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of a phoenix burning, illustrating the text that when it felt that it was growing old, it would make its own funeral pyre, and allow itself to be consumed in the flames, which it fanned with its wings, and that it would rise again from the ashes., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of a dragon attacking an elephant., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of cranes., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a miniature of doves, including one on a nest in a bird house., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a miniature of mice and worms., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Text page with decorated initial 'U' and rubric., Enarrationes en Psalmos (51-100)

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 11.Charles

• Large zoomorphic initial 'I' and smaller initial 'B', with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Decorated initial 'P'(salmus) and a smaller decorated initial 'C'(on), interlocking with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Detail of a miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles