• Diagrams, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

prime minister: his book-plate with heraldic arms and the motto 'virtute non verbis' (inside upper cover); purchased by the British Museum together with 1244 other Lansdowne manuscripts in 1807. Author portrait Herman Scheerre Geoffrey Chaucer London England, S. E. (London?)

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

prime minister: his book-plate with heraldic arms and the motto 'virtute non verbis' (inside upper cover); purchased by the British Museum together with 1244 other Lansdowne manuscripts in 1807. Illuminated initial Herman Scheerre Geoffrey Chaucer London England, S. E. (London?)

• Initial 'Q'(uoniam) with reserved designs, at the beginning of Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagram, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagram, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.6.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'U'(sque) with penwork decoration, and part of the border decoration around the two columns, at the beginning of Johannes de Hesdinio's Commentarius amplissimus in librum Job., Commentarius amplissimus in librum Job

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Ownership inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'P'(rima), at the beginning of the second volume of Ludolphus de Saxonia's Vita Christi., Vita Christi (pars II)

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.6.3’, f. ii).Purchased by the British Museum from the Royal Society of London together with

• Illuminated initial 'W'(hilom) at the beginning of the Miller's tale, identified by a rubric in the upper margin 'The Meller'., Canterbury Tales

prime minister: his book-plate with heraldic arms and the motto 'virtute non verbis' (inside upper cover); purchased by the British Museum together with 1244 other Lansdowne manuscripts in 1807. Illuminated initial Herman Scheerre Geoffrey Chaucer London England, S. E. (London?)

• Detail of a drawing of a pope and two women., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• null, Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Illuminated initial 'T'(her) and decorated catchword., Canterbury Tales

with heraldic arms and the motto 'virtute non verbis' (inside upper cover); purchased by the British Museum together with 1244 other Lansdowne manuscripts in 1807. Illuminated initial 'T'(her) and decorated catchword. Herman Scheerre Geoffrey Chaucer London England, S. E. (London?)

• Decorated initials, line fillers, and a partial trompe l'oeil border with a bee., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation