and tabard (William the Conqueror), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
the lower half of the folio, with two knights jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
Coloured drawings of combatant mounted knights in armour and tabard. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
drawings of combatant mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
drawings of combatant mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
of the lower half of the folio depicting knights jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
drawings of combatant mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
coloured drawings of mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
Coloured drawings of mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
of a mounted knight (Clifton) in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
Coloured drawings of mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
Troghtbek, Watyrton. Bottom row, from left to right: Wyllowsby, Hoghton. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
coloured drawings of mounted knights in armour and tabard jousting. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear
Coloured drawing of a knight with a standard. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because his arms appear in two
(verso). Cutting from a Gradual Presented by John E. Leary, violin and pianoforte instructor, of 59 Hazelville Road, Hornsey Lane, [London] N, 1930: his business card attached to the mount (f. 1). Nativity and Annunciation to the Shepherds Italy, N.
prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v) Inscription 'Thomas Coose Noyttin (?), 16th century (f.
verse on parchment leaves (ff. 2-4v, 366v-368) including verses attributed to John Lydgate for pageants at Queen Margaret's Entry into London in May 1445 (ff. 2-4v).f. 1 is a parchment flyleaf. ff. 2-4 are parchment leaves.The outer and inner bifolia
verse on parchment leaves (ff. 2-4v, 366v-368) including verses attributed to John Lydgate for pageants at Queen Margaret's Entry into London in May 1445 (ff. 2-4v).f. 1 is a parchment flyleaf. ff. 2-4 are parchment leaves.The outer and inner bifolia
verse on parchment leaves (ff. 2-4v, 366v-368) including verses attributed to John Lydgate for pageants at Queen Margaret's Entry into London in May 1445 (ff. 2-4v).f. 1 is a parchment flyleaf. ff. 2-4 are parchment leaves.The outer and inner bifolia
of Harefield: with his armorial bookplate engraved with his motto and the legend 'Sr. George Cooke / of the Inner-Temple, London. / Chief Prothonotary of the Court / of Common-Pleas Westminster / 1727'.Francis Hargrave (b. 1740/41, d. 1821), legal writer.Purchased