• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border

• White vine initial 'C'(inne), and full white vine border with birds, a rabbit, and two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Part ot the full white vine border, with birds and a rabbit, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Full-page decoration at the beginning of a ~piyyut~ (liturgical poem) for Yom Kippur (Davidson vol. 1, no. 2106). The text of the poem is surrounded by an architectural frame with towers on both sides and with columns held by lions. The upper section of the frame is scallopped and is flanked by a dragon and a hybrid., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Decorated initial 'P'(rincipia), and plain red initial 'P'(aulus); the upper margin with an ownership inscription of Sir John Prise., Commentaria in Epistolas beati Pauli

pp. 1-24, reprinted in N. R. Ker, ~Books, Collectors and Libraries: Studies in the Medieval Heritage~, ed. A. G. Watson (London and Ronceverte, 1985), pp. 471-96; the present manuscript cited with the siglum 'P. 8.'Charles Burney (b. 1757, d. 1817),

• Coloured initial 'P'(aulus) and other plain red and green initials., Commentaria in Epistolas beati Pauli

pp. 1-24, reprinted in N. R. Ker, ~Books, Collectors and Libraries: Studies in the Medieval Heritage~, ed. A. G. Watson (London and Ronceverte, 1985), pp. 471-96; the present manuscript cited with the siglum 'P. 8.'Charles Burney (b. 1757, d. 1817),

• Detail of illuminated initial., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Diagram., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Text page with volvelle., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Text page with volvelle., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Detail of decorated initial 'Q'(uoniam)., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Decorated initial 'Q'(uoniam)., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Decorated initials and diagram., Miscellaneous scientific treatises

'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),

• Detail of miniature of knights and ladies riding to a London tournament., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

and ladies riding to a London tournament. Vol. IV, part 2 is Harley 4380. 11 large miniatures with large decorated initials and full foliate borders including hybrid figures and birds, in colours and gold (ff. 3, 23v, 34, 43, 60v,