• White-vine initial 'C'(um transit)., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a miniature of a master and scholars., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of a master and scholars., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of diagrams showing the shape of the earth., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Circular diagrams and text., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of the phases of the moon., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of the Universe as a diagram in various concentric circles, with Christ at the top, Hell in the centre, and symbols of the Four Evangelists in the corners., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Initial 'C'(arminis) with white vine decoration., Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus (ff. 82-113v); Priapea (ff. 113v-122v)

flyleaf at the end [f. iv]).Henry Ellis Allen: his book-plate (inside upper cover, f. ii); purchased from a bookseller in London, about the year 1850 (see ~Hermathena~ 1876 p. 126).Samuel Allen: his name inscribed in pencil on his father's book-plate

• Decorated initial 'C'(um) with foliate decoration combined with a one-sided border with flowers and foliage, including a peacock, at the beginning of the text; in the lower margin, a medallion featuring Christ blessing and holding an orb surrounded by foliage, and a butterfly (moth) in the upper margin., De natura deorum (ff. 1-88); De divinatione (ff. 89-121); De fato (ff. 122-156v); Timaeus (ff. 157-168)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• White vine initial 'Q'(uerenti) at the beginning of Cicero's De fato., De natura deorum (ff. 1-88); De divinatione (ff. 89-121); De fato (ff. 122-156v); Timaeus (ff. 157-168)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Detail of the humanistic text at the beginning of Cicero's De fato., De natura deorum (ff. 1-88); De divinatione (ff. 89-121); De fato (ff. 122-156v); Timaeus (ff. 157-168)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Title in display capitals and coloured initial 'Q'., Speeches, including 'Orationes in Catilinam' (ff. 1-24), 'Ciceronis in Sallustium et invicem Invectivae' (ff. 24-29), 'Pro Marcello' (ff. 29-33v, 75-75v), and 'Pro Ligario' (ff. 75v-76v)

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Miniature of a bishop in the act of cutting a lock of hair from the first of seven newly ordained clerks kneeling before him, in front of the archbishop's cross-bearer between two deacons, decorated initial 'P'(ontificalis), and full foliate border, at the beginning of the Pontifical of Guilelmus Durandus., The Pontifical of Guilelmus Durandus, Use of Mende

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of a bishop, administering the consecrated wafer to the first of five newly ordained priests who kneel before him; behind, a chaplain holding the cup for purifying the communicants, with a cross-bearer and two deacons, decorated initials, and full foliate border, at the beginning of the second part of the Pontifical of Guilelmus Durandus., The Pontifical of Guilelmus Durandus, Use of Mende

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by