• Diagram in William of Conches' Tract on Philosophy and Man., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagrams in William of Conches' Tract on Philosophy and Man., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagram in William of Conches' Tract on Philosophy and Man., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagram in William of Conches' Tract on Philosophy and Man., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• null, Historia adversus paganos

by T. Webber and A. G. Watson, ~The Libraries of the Augustinian Canons~, Corpus of British Medieval Library Catalogues, 6 (London: British Library, 1998), p. 32).Added chapter-list and table of contents, between 1200 and 1225 (ff. 2v-4v).‘William Tierne[y]' (??), and

• null, Historia adversus paganos

by T. Webber and A. G. Watson, ~The Libraries of the Augustinian Canons~, Corpus of British Medieval Library Catalogues, 6 (London: British Library, 1998), p. 32).Added chapter-list and table of contents, between 1200 and 1225 (ff. 2v-4v).‘William Tierne[y]' (??), and

• null, Historia adversus paganos

by T. Webber and A. G. Watson, ~The Libraries of the Augustinian Canons~, Corpus of British Medieval Library Catalogues, 6 (London: British Library, 1998), p. 32).Added chapter-list and table of contents, between 1200 and 1225 (ff. 2v-4v).‘William Tierne[y]' (??), and

• Puzzle initial 'C' with foliate penwork decoration and pen-flourishing., Historical and theological miscellany, including excerpts from the Granarium, part II, and a commentary on Sacrobosco's De sphaera (ff. 183-198)

(f. 9); black ink drawing of a lion rampant (f. 1v) and index. Note that he also purchased Whethamstede's chronicle, London, College of Arms, Arundel 3, in 1589 (see Howlett 1974).? Thomas Howard (b. 1585, d. 1646), 2nd earl of

• Decorated initial 'D'(omine) and border., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Resurrection., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial 'O', measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'sti' (upper left)., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial ?'C' with the head of a cherub, measuring 85 x 90 mm. On the reverse, one four-line stave, musical notation and partial text 'o nis' (upper right)., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial 'L', measuring 90 x 80 mm. On the reverse, partial text 'men adreu / nder(u)nt. Eta / t po(?). Lori / Repetat(ur) tota / s d(?) hec an(n)a' (lower left)., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial 'L', measuring 80 x 75 mm. On the reverse, partial four-line stave, musical notation and text (lower right)., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial 'C' with anthropomorphic heads, measuring 155 x 160 mm. On the reverse, two four-line staves, musical notation and partial text 's me deus / ris meus. Ps(almus)'., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Foliate initial 'C', measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text (top image)., Cuttings from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335;); Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una