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Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the
Text page. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff. 76, 76v,
Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the
Carpet pages with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs
End of Deuteronomy framed by micrographical design (f. 191v), and ~masorah~ in micrographical form framing a scribal formula (f. 192). Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form.
Paraphs in red or blue. Various legal texts including Statutes of England (index Statute book, Statuta Angliae) and Hengham's Summa magna and Summa parva, Registrum brevium (reign of king Edward I), imperfect Added texts and inscriptions, 14th-15th century (ff. 42v,
initials with red pen-flourishing. Paraphs in red or blue. Rubrics in red. Statuta Angliae(index Statutes of England; Statute book), including Magna Charta, Charters of Edward III, various statutes, and the Treatise on the Laws of England (also known as Britton,
Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its
Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion
Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to
Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add
Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related
Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript
Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related
Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures
Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and
Detail of an initial-word panel with King David playing harp in the middle flanked by a lion and a stag. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and
1483: colophon 'Hic liber est iussu nostro perscriptus et ere/Ut servet marci dicta sonora diu./Ipse velim cartas membranis semper arari/quas magna autores arte tulere boni/Cetera tu fragili depone volumina libro/in quorum astridet triste sophisina labris.[follow 2 deleted lines] 1483 iiii
Two full-page miniatures of the sanctuary implements with captions. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side
Arcades framing ~masoretic~ lists. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation