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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

427 results from this resource . Displaying 261 to 280

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

Text page. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff. 76, 76v,

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

Carpet pages with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs

End of Deuteronomy framed by micrographical design (f. 191v), and ~masorah~ in micrographical form framing a scribal formula (f. 192). Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form.

Paraphs in red or blue. Various legal texts including Statutes of England (index Statute book, Statuta Angliae) and Hengham's Summa magna and Summa parva, Registrum brevium (reign of king Edward I), imperfect Added texts and inscriptions, 14th-15th century (ff. 42v,

initials with red pen-flourishing. Paraphs in red or blue. Rubrics in red. Statuta Angliae(index Statutes of England; Statute book), including Magna Charta, Charters of Edward III, various statutes, and the Treatise on the Laws of England (also known as Britton,

Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add

Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures

Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and

Detail of an initial-word panel with King David playing harp in the middle flanked by a lion and a stag. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and

1483: colophon 'Hic liber est iussu nostro perscriptus et ere/Ut servet marci dicta sonora diu./Ipse velim cartas membranis semper arari/quas magna autores arte tulere boni/Cetera tu fragili depone volumina libro/in quorum astridet triste sophisina labris.[follow 2 deleted lines] 1483 iiii

Two full-page miniatures of the sanctuary implements with captions. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side

Arcades framing ~masoretic~ lists. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 12 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=magna%20carta&sdf=1295&sr=ci&st=260