Category
- Literary Manuscripts (406)
- Non-literary Manuscripts (0)
- Official Documents (government, civic, legal, religious) (0)
- Literary Printed Books (0)
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- Full-text transcription (406)
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Date
- 1396 – 1396 (406)
- 1397 – 1397 (406)
- 1398 – 1398 (406)
- 1399 – 1399 (406)
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British Library Catalogue of Illuminated Manuscripts
York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1239' (f. 1), acquired by the Upper Library at Westminster after
York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1239' (f. 1), acquired by the Upper Library at Westminster after
York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1239' (f. 1), acquired by the Upper Library at Westminster after
York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1239' (f. 1), acquired by the Upper Library at Westminster after
tent, possibly Gaudfroi and Charlemagne, illustrating the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and often red, or
a king holding a sword and another knight behind. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and often red, or
archbishops present, illustrating section 351 of the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and often red, or
an attack, illustrating section 352 of the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and often red, or
illustrating section 353 of the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow
initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200) Inscription, 15th-century: 'Richard Flint' (f. 207).Inscription, 15th-century: 'John …(?)' (f. 207).Sir Hans Sloane (b. 1660, d. 1753),
initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200) Inscription, 15th-century: 'Richard Flint' (f. 207).Inscription, 15th-century: 'John …(?)' (f. 207).Sir Hans Sloane (b. 1660, d. 1753),
red penwork, or red with brown penwork. Paraphs in blue or red. Commentary on Aristotle's Politica Unidentified English owner, second half of the 16th century or 17th century: 'Galterus Burleus sup(er) libru(m) politicoru(m).' (f. 1, upper margin).Charles Burney (b. 1757,
Decorated initial 'A'. Numerous additions in English.ff. 130-132 are former flyleaves, including a 15th-century charter (f. 133v). Large and small initials in red, brown, or blue, some with penwork decoration. Paraphs in red. Diagrams (e.g. ff. 39, 58). Medical
initials in red. Paraphs in red or blue. Various documents and legal texts including a list of English counts, a list of English knights, statutes of king Edward III from the 1st to the 50th year of his reign (1327-1377),
Decorated scribal formula at the end of Tractate Neziqim. Numerous drawings of geometric motifs at the end of the sections, in black ink. Decorated initial words at the beginning of chapters, in colours (ff. 6, 10). Fragment of the
alternately blue with red penwork, or red with brown penwork. Paraphs in blue or red. Commentary on Aristotle's Politica Unidentified English owner, second half of the 16th century or 17th century: 'Galterus Burleus sup(er) libru(m) politicoru(m).' (f. 1, upper margin).Charles
king holding a sword and another knight behind, illustrating the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and
in boats from Reggio at the far right, in the Chanson d'Aspremont. According to Hunt 1987, one of three thirteenth-century English manuscripts with secular romance illustrations. 45 pen drawings and fragments of 2 more, with a wash of green, and
the beginning of Oon of foure, John Wycliffe's English translation of Clement of Llanthony's Harmony of the Gospels. 1 large puzzle initial in red and blue with foliate pen-flourishing in purple and red, developing three-sided extensions in red and blue
at the beginning of Oon of foure, John Wycliffe's English translation of Clement of Llanthony's Harmony of the Gospels. 1 large puzzle initial in red and blue with foliate pen-flourishing in purple and red, developing three-sided extensions in red and