• Miniature of Childebert and Clothaire before Saragossa meeting a bishop of Saragossa, with the bishop and clergy bringing out relics of Vincent, with a full border containing the royal arms of England surmounted by a crowned lion, a dragon holding a banner with the Yorkist motto 'Dieu et mon droit', and two red roses of Lancaster; and an illuminated initial 'L'(e roy) with a portcullis, the badge of Beauforts, used by Henry VII., Chroniques de France ou de Saint Denis (from Priam of Troy to 768)

roses of York (f. 48), and the Beaufort's badge of a portcullis, used by Henry VII (f. 47).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Historiated initial 'In' with intwined figures., fragments from the end of Joshua and the beginning of Judges; and the end of Judges to the beginning of Ruth

ff. 76-77.f. 130, Leaf from an early 13th century English Breviary. Musical notation: neumes on red four-line staves (C, D, F and B clefs).f. 131, leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square

• Illuminated initial 'S'(aepe) with a full border containing the royal arms of England surmounted by a crown, at the beginning of the text., Letter to Henry VII

(f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Johannes de Cirellis France, N. France, Central or N.

• Detail from the full border of a bird, the royal arms of England surmounted by a crown, and a grotesque., Letter to Henry VII

oratio' (f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Border Johannes de Cirellis France, N. France, Central or N.

• Miniature of David in penitence, and decorated initial 'D'(omine), at the beginning of the Penitential Psalms., Prayer Book

branches, in gold and purple. All text pages framed in gold. Rubrics in gold. Prayer Book Apparently designed for an English owner: inscribed by Henry VIII and Cardinal Wolsey: see Backhouse 1994.Inscriptions in French, 16th-century: 'en priant a saintte George…',

• Historiated initial 'H'(ere) of the author presenting the book to an enthroned king, with a full border containing white and red roses, at the beginning of the list of contents., The Master of Game

owned by him: white roses of York joined with red roses of Lancaster (ff. 1, 2v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Presentation of the book Edward of York England

• Initial 'H' at the beginning of Odo of Meung's De viribus herbarum., De viribus herbarum and a short medical text

viribus herbarum. Note that this is the oldest copy of the Old High German glosses on this text. 1puzzle initial in red and blue with red and blue pen-flourishing (f. 2). Other simple initials in red. Paraph marks in red.

• Detail of calligraphic specimens with decorated initial 'O' signed by Petruccio Ubaldini, dated 1550, and dedicated to Edward VI (in the fourth year of his reign)., Specimens of Calligraphy

Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To

• Historiated initial 'D' of a saint (right centre)., Cuttings from a liturgical manuscript

1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To

• Decorated border of arabesques, putti holding a chalice and the Host, and the arms of Gregory XIII., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques, a figure of a woman in gold monochrome, an anthroporphic figure, the inscription 'G. XIII' and the arms of Gregory XIII., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques, putti, two of which hold a chalice and the Host, and the arms of Gregory XIII., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques, trompe l'oeil gems, a female figure in gold monchrome and the Buoncompagni family dragon device., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques and a putto playing the flute, and other putti playing with birds and a dog., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques, architectural motifs and trompe l'oeil gems., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of floral motifs, trompe l'oeil pearls and medallions containing figures of the Evangelists in gold monochrome., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other

• Decorated border of arabesques, trompe l'oeil gems, fruits and the Buoncompagni family dragon device., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other