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Detail of a miniature of sheep. This is a 'Second Family' bestiary; see James; Payne p. 15. Numerous (112) miniatures in brown, green, and red, on alternately blue and red backgrounds. Small initials in red. Bestiary Thomas Rawlinson (b. 1681,
(f. 1).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Hybrids, a pig,and a jester Pseudo-Aristotle England
'Liber T. Carri' (f. 1).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Pigand jester Pseudo-Aristotle England
(f. 60v) and similar inscription (f. 145); see Watson.16th or 17th-century inscription 'Liber T. Carri' (f. 1).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into
178v, 183)Hair side and flesh side are distinguishable. 3 frontispieces with initial-word panels and full borders, in colours and gold (ff. 1, 27v, 30v). 1 full-page miniature including the first owner’s inscription (f. 287). Numerous initial-word panels and initial words
178v, 183)Hair side and flesh side are distinguishable. 3 frontispieces with initial-word panels and full borders, in colours and gold (ff. 1, 27v, 30v). 1 full-page miniature including the first owner’s inscription (f. 287). Numerous initial-word panels and initial words
figures and birds, in colours and gold (ff. 3, 23v, 34, 43, 60v, 64, 83v, 99, 112v, 135v, 146). 18 small column-wide miniatures with large decorated initials and partial foliate borders including hybrid figures and birds, in colours and gold
anchor and shears, the royal arms and Prince of Wales's feathers, dated 1623, and initials NF; anchor andsheep, the arms of London and of the Merchant Taylors' Company, dated 1619, and initials BW; a sun, dated 1625, and initials
of sheepand a group of people talking. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
back turned) and birds, with two medallions of a squirrel and a pig (?) and including the first owner’s inscription in decorated panels. Parallel Hebrew foliation. Gilt edges.Censors’ erasures (e.g., ff. 2, 8v, 154, 155v, 178v, 183)Hair side and flesh
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
border in gold and colours, with a bird (f. 54). Four partial borders in gold and colours (ff. 4, 18, 26, 43v). A historiated initial in gold and colours (f. 4) and other foliate initials in gold and colours. Unfinished
the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold
andsheep past a crippled and a king. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
and the Trinity (f. 108v). Small marginal calendar miniatures in colours and gold with the labours of the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red
colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,