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the quire) are 'h' (f. 8v) 'i' (f. 19v), 'k' (f. 28v), 'l' (f. 38v), 'm' (f. 48v): Therefore 7 quires might be missing at the beginning of the manuscript.Tironian ets, occasional ae-caudatas. The smaller texts and notes (ff. 73v-74v)
marks for ff. 1-109 (in the centre of the lower margin of the verso of the last leaf of the quires). Drawings in crayon of knotwork motifs (ff. 14v, 15, 42v, 46) and of an animal head (f. 55). 1
1), the Adoration of the Magi (f. 35)). Initials in gold with blue an/ord red pen-flourishing, replaced for a few quires by initials in gold on a blue and red ground, with a yellow outer frame (ff. 49-72v only). Smaller
aid in the lower margin of f. 3 stating the number of quires. Original foliation in Arabic numerals the lower margin.Catchwords written horizontally.f. 1* is a parchment flyleaf. Puzzle initials in red and blue with pen-flourishing in the same colours
43, 44, and part of f. 65 has been excised.Inscription at the end stating the number of folios and quires (f. 65).ff. 1* and 66 are former pastedowns. Puzzle initials in red and blue with pen-flourishing in both colours extending
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and smaller initials, outlined in black,
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
third of three volumes; the first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and
from an earlier (11th century ?) manuscript including two simple initials in red (oxidised). Apart from the last two, all quires have quire marks. Trace of metal fitting: one rust stain in centre of outer margin of f. 92. 1
Quire marks 'i'-'xiiii' (in the centre of the lower margin of the verso of the last leaf of the quires, including the last).5 leaves excised after f. 67; parts of text erased on ff. 67v, 68.Ampersands; uncrossed tironian ets. 1
the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1