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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

163 results from this resource . Displaying 121 to 140

during Passover. Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f.

during Passover. Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f.

Passover. Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7

no. 726). Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f.

[405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7 is bound upside down.Numerous

f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7 is bound upside

on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7 is bound

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in

the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1

1).Catchwords.Marginal addition on f. 16v is possibly a note on payment.Early modern inscription on f. 172v numbers the quires of the manuscript, giving an inaccurate folio count. The same hand has made a similar addition to Harley 3160. 16 large

from a 12th-century manuscript with musical notation, on four-line red staves.Leaf signatures (i, ii, iii, iiii, v) in crayon in quires 1-2; remains of catchwords. 2 large puzzle initials in red and blue with pen-flourishing in both colours (f. 1).

ff. 70, 151 also only have gloss framing an empty space.All bifolios have been split into separate leaves so that quires can only be distinguished by catchwords and leaf signatures. Some leaves are significantly smaller (e.g., ff. 125-126).Parts of the

Historiated initial 'U'(lpianus) with the portrait of the Roman jurist Ulpian, at the beginning of book 16 of the Digestorum Juris Civilis. F. 2v has the same text as the beginning of the gloss on f. 3; recycled as

Historiated initial 'P'(aulus) with a man holding a book, at the beginning of book 28 of the De operis libertorum. F. 2v has the same text as the beginning of the gloss on f. 3; recycled as a flyleaf.Quires

Decorated foliate initial 'U'(lpianus), at the beginning of book 29 of the Digestorum Juris Civilis. F. 2v has the same text as the beginning of the gloss on f. 3; recycled as a flyleaf.Quires marked 'Cor' on the final

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 19 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=quires&sdf=1273&sdt=1328&sr=ci&st=120