• Initial-word panel decorated with a mask and pen-flourishing inhabited by a deer., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

deer. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Initial-word panel decorated with a mask and pen-flourishing inhabited by a rabbit., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Decorated initial-word panel accompanied by foliate border, at the beginning of Exodus., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

Exodus. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Decorated initial-word panel accompanied by foliate border, at the beginning of Numbers., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

Numbers. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

two fighting men, at the beginning of the prologue. Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Text page with the explicit of Guido de Castris's Sanctilogium., Sanctilogium

Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate

• Illuminated initial 'A'(dventus) at the beginning of book 14., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Illuminated initial 'P'(rima) at the beginning of book 11., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Text page with coloured initials and rubric., Thebais (index Thebaid)

coloured initials and rubric. Quires signatures in the lower margins of each final verso up to viiii.The text was copied from a Continental exemplar, also used to copy Paris BnF Nouv. acq. lat. MS 1627 (Tours) and Worcester MS Q.

• Coloured initial and rubric., Thebais (index Thebaid)

and rubric. Quires signatures in the lower margins of each final verso up to viiii.The text was copied from a Continental exemplar, also used to copy Paris BnF Nouv. acq. lat. MS 1627 (Tours) and Worcester MS Q. 8, according

• Miniature of a layman accompanied by an angel and by the devil, lectured about sin and grace by a religious, large initial 'Q'(ui), and three-sided foliate border, at the beginning of the list containing the seven deadly sins., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

the list containing the seven deadly sins. Added alphabetical quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in

• Miniature of a sick man in bed attended by a priest and a laymen, and illuminated initial., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

illuminated initial. Added alphabetical quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in the lower margin, in colours

• Miniature of the Adoration of the Magi, illuminated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

in colours and gold (ff. 17, 24v, 32, 35v, 38, 40v, 44, 55v, 58, 60v); 2 large miniatures excised: several quires including Compline of the Hours of the Virgin and the beginning of the Penitential Psalms lost after f. 44.

• Miniature of the Flight into Egypt, illuminated initial 'D'(eus) and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

in colours and gold (ff. 17, 24v, 32, 35v, 38, 40v, 44, 55v, 58, 60v); 2 large miniatures excised: several quires including Compline of the Hours of the Virgin and the beginning of the Penitential Psalms lost after f. 44.

• Miniature of Pentecost, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use effaced, probably Rouen

in colours and gold (ff. 17, 24v, 32, 35v, 38, 40v, 44, 55v, 58, 60v); 2 large miniatures excised: several quires including Compline of the Hours of the Virgin and the beginning of the Penitential Psalms lost after f. 44.

• Illuminated initials., Book of Hours, Use effaced, probably Rouen

in colours and gold (ff. 17, 24v, 32, 35v, 38, 40v, 44, 55v, 58, 60v); 2 large miniatures excised: several quires including Compline of the Hours of the Virgin and the beginning of the Penitential Psalms lost after f. 44.

• Inscription recording that the manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum capientib[us]/ quem qui alienaverit anathema sit'; with the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].', Sanctilogium

the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].' Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Pen-flourished initial 'H'(ora est)., Sermons (Sermones dominicales), with a table of sermons listed alphabetically by subject (ff. 191-194), imperfect at the beginning and the end

a parchment flyleaf.According to the Harley Catalogue, several quires are missing at the end. Large initials in red with brown pen-flourishing. Plain initials in red. Rubrics in red. Paraphs in red. Capitals marked in red. Sermons (Sermones dominicales), with a

• Decorated initial 'Q'(uo) and catchword., Tragoediae (index Tragedies)

Decorated initial 'Q'(uo) and catchword. Piece of paper pasted onto f. 1 with Seneca's epitaph, apparently written in the same hand as the rest of the manuscript.ff. 1-[2a] are medieval flyleaves.Watermark visible (f. 2).Quires numbered in the top right

• Detail of a partial foliate border with a coat of arms., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

arms. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the