• Unfinished initial word., Festival prayer book (~mahzor~) for Rosh ha-Shanah, Ashkenazi rite

initial word. Quires are numbered with Latin letters starting at the end of the codex with ‘a’. 8 unfinished initial words (ff. 1v, 32v, 62v, 73v, 78, 97, 155v, 159v). 1 decorated initial word in ink (f. 22). 1 marginal

• Initial-word panel decorated with a mask and pen-flourishing inhabited by a lion., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

lion. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Initial-word panel decorated with a mask and pen-flourishing inhabited by a deer., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

deer. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Initial-word panel decorated with a mask and pen-flourishing inhabited by a rabbit., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

two fighting men, at the beginning of the prologue. Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Text page with the explicit of Guido de Castris's Sanctilogium., Sanctilogium

Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate

• Illuminated initial 'A'(dventus) at the beginning of book 14., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Illuminated initial 'P'(rima) at the beginning of book 11., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Inscription recording that the manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum capientib[us]/ quem qui alienaverit anathema sit'; with the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].', Sanctilogium

the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].' Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Initial-word panel decorated with a mask and pen-flourishing inhabited by a male torso and a rabbit., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

and a rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings

• Diagram charting rainfall., Commentary on Cicero's De somno Scipionis

the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink (ff.

• Diagram of a mappa mundi., Commentary on Cicero's De somno Scipionis

(on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink