• Historiated and foliate border of a medallion with the Medici device of a yoke with a scroll inscribed 'Suave' surmounted by a standing winged putto, measuring 445 x 45 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• Historiated full-page border of a portrait, the arms, unicorn, rainbow and lily emblems and Greek motto 'Dikes krinon' of Paul III, shells, flowers, putti, urns, butterflies and ladybirds (the text excised). Historiated initial 'N' (cropped; the lower part of the letter is visible at the top right of the miniature) of the Last Supper beneath a cartouche inscribed in capitals 'Desiderio desideravi / hoc pascha manduc / are vobiscum', surrounded by a frame composed of four cuttings., Cuttings from a Missal of Paul III

first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson 1876). Purchased by the Department of Prints and Drawings of the British Museum in 1895.Transferred to the Department of Manuscripts of the

• Miniature of Matthew writing at an improvised desk under a ruined arch, inspired by a winged putto with a distant landscape of hills and towers in the background, within a painted gold architectural frame., Cutting from a Gospel Lectionary (index Evangelistary) of Gregory XIII, containing Matthew 5:6-7.

for date of Boncompagni's election to the papacy]' in Chicago, Art Institute of Chicago, 1982.438 and New York, The Morgan Library and Museum, MS. 270, all probably excised from a Gospel Lectionary (A.I.17) described in a 1714 inventory of the

• Pen drawing of the Crucifixion, Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31)

Pen drawing of the Crucifixion Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones

• Detail of decorated initial., Collection of Franciscan texts, including the life of Francis

with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in red. Collection of Franciscan texts, including the life of Francis ff. 70-75v probably written by Brother Thomas

• Marginal drawing, possibly representing the Five Wounds of Christ., Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31)

Five Wounds of Christ. Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones (d.

• Initial 'C'(ome) with pen-flourished decoration., Statutes of Edward III and Richard II, including a table of contents (ff. 1-11v)

146v-147). Statutes of Edward III and Richard II, including a table of contents (ff. 1-11v) Two heraldic arms in the lower margin (ff. 146v and 147).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Detail of decorated initials., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• Detail of miniature and genealogy., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• Ownership inscription that this manuscript is for the use of the friars of the Franciscan convent at Southampton: 'Ad usum fratrum minorum in Suythamptona'; with the decorated initial 'A'., Collection of Franciscan texts, including the life of Francis

with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in red. Collection of Franciscan texts, including the life of Francis ff. 70-75v probably written by Brother Thomas

• Decorated initial 'R'(ichard) at the beginning of statutes of Richard II., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), imperfect, and other texts, including a calendar (ff. 6-11v)

Decorated initial 'R'(ichard) at the beginning of statutes ofRichard II. There are 3 unfoliated parchment leaves after f. 16, and 4 after f. 144. Full border in gold and colours (f. 17). Large initial in colours with foliate decoration

• Flourished initial 'C'(um), and three-sided border, at the beginning of Alanus de Insulis's De planctu naturae., De planctu naturae (ff. 1-57v); Philobiblon (ff. 58-101v)

1).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The

• Historiated initial 'R'(icardus) in colours and gold with king Richard II, combined with a foliate bar border ending in a hand holding a scroll with the inscription 'Morrys Stafford me fecit', at the beginning of the text., Registrum brevium

librarian of Robert and Edward Harley 'Bought of Mr Noble' (f. 1).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford

• Upper and lower covers and spine., Domesday book (ends imperfectly)

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

• Decorated initials., Domesday book (ends imperfectly)

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

• Decorated initials and marginal drawings., Domesday book (ends imperfectly)

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

• Decorated initials., Domesday book (ends imperfectly)

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.