• Decorated initials., Domesday book (ends imperfectly)

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

• Detail of a page: drawing of the Sacrifice of Isaac, with captions in Ashkenazi square script. Isaac is kneeling on the altar, Abraham is lifting the knife, but an angel prevents him from hurting his son by grabbing his knife. The same angel points to the ram caught in a bush on the left. Beneath, at the foot of the mountain, the two servants, the donkey and a dog are resting in a field., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field., Commentary on the Pentateuch

Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On

• Detail of a full page drawing of the Sacrifice of Isaac, with captions in Ashkenazi square script. Isaac is kneeling on the altar, Abraham is lifting the knife, but an angel prevents him from hurting his son by grabbing his knife. The same angel points to the ram caught in a bush on the left., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Detail of a page: the Ark of the Covenant with the cherubim., Commentary on the Pentateuch

Detail of a page: the Ark of the Covenant with the cherubim. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of

• Detail of a page: Temple implements., Commentary on the Pentateuch

Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.

• Detail of a page: Temple implements., Commentary on the Pentateuch

Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.

• Detail: initial-word panel ~Elu~ (these) decorated with white vine scrolls., Prayer book, Italian rite

[1502] (f. 182v).David Marq of Cine bar Abraham: inscribed with his name in the colophon upon the erased name of the patron (f. 182v).Riqa, the sister of Daniel ben Isaac of Ventura, wife of Eliezer of Rubiqu, first owner: inscribed

• Miniature of the author, Thomas Hoccleve, presenting the book to prince Henry, with a partial border containing the arms of William FitzAlan, earl of Arundel, and a foliate initial 'H'(ye)., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Marginal miniature of Geoffrey Chaucer pointing the text, with a caption reading 'Chauceris ymago'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Illumianted initial ‘I'(n), with a partial bar border, and an added drawing of two interlaced gloves., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Text page., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of a miniature of the author, Thomas Hoccleve, presenting the book to prince Henry., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of a marginal miniature of Geoffrey Chaucer pointing the text, with a caption reading 'Chauceris ymago'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Illuminated initial 'T'(o) with a partial bar and foliate border., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of an added drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Decorated initial 'W'(han) with pen-flourishing., The Consolation of Philosophy (index De consolatione philosophiae), in English verse with the Latin text in the margin (ending imperfectly) and other texts (see notes)

1-86)The beginning of a sermon on the words of Acts 10:6 (f. 87)A Treatise between Enformacione and Musyke by William Cornysshe (ff. 88-91)A Balade of Trouthe (imperfect) (f. 92r-v)Uses John Walton's translation of Boethius (fl. 1410).The outer bifolio of each

• Puzzle initial 'P'(rimi) with pen-flourishing forming a partial border., Miscellaneous texts including Liber exceptionum (ff. 1-47v)

name (f. 126v) and 'Gregorie Webb of Wantinge / Gever of this Booke' (f. 167v).William Webbe of Wanting, 16th century: inscribed 'William Webbe of Wanting in the county of berkes yoman' and 'William (...) of Wan(ting)' (f. 127v).The Harley Collection,

• Text page with coloured initials and a partial bar border., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,