of the King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4. Includes the third volume of the Recueil des croniques d’Engleterre
Miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended to continue the
Detail of a miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended
Detail of a miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended
Miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended to continue the
Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl
Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
Miniature of Vincent of Beauvais as a Dominican monk, sitting at a desk and writing his book, at the beginning of book 1, with a full border containing the Royal arms of England, with Edward IV's colours of red and
of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of chapter 1 of book 1. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list
Miniature of Vincent of Beauvais as a Dominican monk, sitting at a desk and writing his book, at the beginning of book 1, with a full border containing the Royal arms of England, with Edward IV's colours of red and
rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the external margin, at the beginning of chapter 1 of book 2. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin,
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
beginning of the Hours of the Passion of the Virgin. 1 full-page miniature with full foliate borders, accompanied by a large decorated initial and a full foliate border on the facing page, at the beginning of the Hours of the
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially
connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially
the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns William Harvey (d. 1567), herald: inscribed 'William hervy als Clarencieulx king of Armes' (top of membrane 1).The