• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Detail of a drawiing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Historiated border., Missal, Use of Rome

decorated head-pieces. Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen

• Miniature of the Massacre of the Innocents., Missal, Use of Rome

decorated head-pieces. Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Detail of a miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Initial-word panel ~Elu~ (these) decorated with white vine scrolls, and surrounded by full border with floral motifs., Prayer book, Italian rite

[1502] (f. 182v).David Marq of Cine bar Abraham: inscribed with his name in the colophon upon the erased name of the patron (f. 182v).Riqa, the sister of Daniel ben Isaac of Ventura, wife of Eliezer of Rubiqu, first owner: inscribed

• Detail of an historiated initial 'A'(vous) of Henry VII receiving the book from the writer., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a marginal painting of flowers and a bear, from the partial trompe l'oeil border., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Text page., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility), with a full trompe l'oeil border, including flowers, birds, and a monkey., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility)., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail from the full trompe l'oeil border, including flowers, a bird, and a monkey., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Miniature of a prince enthroned, with supplicants surrounding him, and God the Father above, with a full trompe l'oeil border including flowers, Tudor roses, and a bird., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a miniature of a prince enthroned, with supplicants surrounding him, and God the Father above., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail from the full trompe l'oeil border of a bird among flowers., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• End of the text, and final colophon, reading ‘Explicit Limaginacion de vraye noblesse / paracheve le derrenier jour de Juyn au Manoir / de Shene Lan mil cccc iiiixx et xvi. p[ar] Q Poulet.’, Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old