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(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
lot 2251/1 (f. 4v); lot purchased for £3 5s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Andrea Gritti to Stefano Trevisan Master T.° Ve. Venice Italy, N. E. (Venice)
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
June): 'Qui operatus est Petro in apostolatum'. Cutting from a Gradual (sanctorale) The Camaldolese monastery of San Michele a Murano, Venice: probably cut from a volume of a Sanctorale from a lost series of Graduals produced between 1392 and 1399
with an inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the
inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the Bodleian Library,
inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the Bodleian Library,
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initials Cristoforo Cortese Virgil (index Virgilius; Vergilius; Vergil; P. Vergilius Maro) Padua Italy, N.E. (possibly Venice or Padua)