of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.
an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414. 1 historiated initial
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and
Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and
Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and
Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and