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blue or red. Epistolae ad familiares Probably written before 1455: an oration made to the Doge of Venice by Galeazzo Maria Sforza in that year is added in a later hand on f. 2v.Mario Maffei (b. 1463, d. 1537): with
beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield. Catchwords written vertically. Guide letters.According to unpublished notes of
perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando
perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando
perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando
perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando
perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando
initials in alternating red or grey (f. 1). Spaces for initials left blank or with a faint outline. History of Venice to 1439 Gaspard Coignet de la Thuilerie, count of Courson (d. 1653): his armorial binding.The Loménie de Brienne family
Edward Heawood, ~Watermarks: Mainly of the 17th and 18th Centuries~ (Hilversum: Paper Publications Society, 1950), no. 866 (dated 1696 to Venice). Headpieces with geometric and floral decoration in black and red (ff. 3, 9, 34, 46, 60v, 77, 92, 104,
of the arts: listed in his catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus~ (Venice: Pasquali, 1755), p. 420; sold to King George III, along with the bulk of Smith's library and art collection,
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
with an inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the